思您所思，想您所想
每个人对成功都有自己的诠释。成功远不止于财富。成功的内核包含着您的爱好、您关切的话题、您的兴趣所在。正因如此，我们着意收集许多崭露头角的新兴艺术家的故事。我们的书单中有令人爱不释手的书籍。思您所思，想您所想， 敬请探索我们为您精心准备的精彩主题。
2024年悦读计划
在过去的四分之一世纪，我们凭借全球智慧哲人的精辟见解，安然驾驭瞬息万变的世界。随着摩根大通悦读计划迎来25周年，我们诚挚为您呈献一系列精选著作，让读者鉴往知来，启廸人生智慧与感悟，进而迈步向前。
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NextList2025
摩根大通呈献年度精选——「未来趋势」：这是一系列受不断演变的意念和视角启发的推荐书籍和体验。今年是推出NextList年度精选榜单的第三年，加入了「创新聚焦」的环节，重点介绍了走在科技和文化前沿的企业。
了解更多艺术连接世界
与您一样，我们对艺术充满热情。事实上，摩根大通的收藏历史源远流长，长期以来致力于推动艺术发展。摩根大通的艺术品收藏可追溯至1959年，由戴维·洛克菲勒(David Rockefeller)创办，收藏专注于国际范围内的现代和当代艺术，还有从古至今不同流派和表达媒介的艺术品。我们乐于分享我们由自身收藏中汲取的宝贵经验和洞见，以帮助您丰富您的收藏知识与藏品。无论您对艺术和收藏涉猎深浅与否，都可以借助我们的项目作为最佳实践、全球和本地收藏网络以及进行公开对话的资源。
摩根大通艺术品收藏
摩根大通艺术品收藏已成为世界上最具规模的企业收藏之一。众多藏品展示了国际艺术家们关于未来的创意理念和愿景，而激发「将艺术融入工作」(Art at Work)这一最初愿景的先驱者精神，如今仍与这些藏品一样熠熠生辉。
夏洛特(Charlotte)：
这是新兴艺术家Sam Francis的一幅绘画作品，戴维·洛克菲勒于1959年拜访了他的工作室。这是一件非常棒的作品，也是收藏中的奠基之宝。该作品于1961年被大通银行的旗舰分行收购。
该艺术品收藏项目由戴维·洛克菲勒发起。他的愿景是「将艺术融入工作」，这也是他对艺术收藏和项目所赋予的意义，这将提升银行工作人员和客户的体验。戴维·洛克菲勒认为，艺术品会激发人们的创造性，以一种被其他人的愿景所激发的方式对待他们的工作。艺术家具有开启我们眼界的魔力，帮助我们从不同的视角看待周遭的世界。
在20世纪60年代初，戴维·洛克菲勒和携手参与合作的艺术委员会共同发掘多位当时籍籍无名的艺术家，其中包括非裔美国艺术家、女性艺术家，来自于不同的背景、文化和艺术表达媒介。艺术品收藏是推进人们建立联系的催化剂，让我们与客户、同事和社区紧密相连。
因此，六十年来，此收藏项目一直是我们联系外界的桥梁和真正的文化载体，因其始终秉持最初的理念，关注新兴艺术家。我们认为艺术家是我们的文化、我们的国家和全世界变革的脉搏。这个理念反映了我们公司的全球愿景，并且强调艺术家是创意经济的重要组成部分。
摩根大通始终致力于各种层面的多元化，这是我们的一个重要承诺。我们言行一致，表里如一。这位名叫Neil Goldberg的艺术家，在纽约工作和生活，他的艺术行为非常多元化。这是最近获得的一件艺术品。这件作品的名字是「他人的观察」(Other People’s Prescription)，既是一种隐喻，也像名字一样，邀请观赏者通过他人的眼睛看世界。这些收藏包罗万象，涉及绘画、雕塑、摄影，还有越来越多的数字和视频艺术。所以，这是非常多元化的藏品，也反映了我们对现代和当代艺术的关注。
这幅画是女性艺术家Joan Mitchell于1959年所作，在1960年加入我们的艺术收藏。在她去世后的近几十年，她收获了很多赞誉，也招致很多诋毁。与1959年戴维·洛克菲勒创办艺术品收藏项目时相比，时代已经发生了改变，而我的团队和我们的前辈一直守护着这份传承，并且每天都激励着我们。
结束
Side note:
Soft synth music plays.
On screen:
A montage shows colorful abstract oil paintings and black and white photographs.
Text on screen:
The JPMorgan Chase Art Collection - Then and Now.
On screen:
A woman dressed in black, with light, shoulder-length hair and stylish tortoise shell glasses, Charlotte Eyerman, speaks to the viewer. She stands next to a vibrant, long, wall-sized painting.
Charlotte:
This is a painting by Sam Francis, who was an emerging artist. David Rockefeller visited him in his studio in 1959, so it’s a really fabulous work and a foundational artwork in the collection.
On screen:
The enormous piece of abstract expressionism artwork features broad, bold brushstrokes of brilliant yellow, white, blue, and red.
Text on screen:
Sam Francis (American, 1923–1994),
Chase Manhattan Bank Mural (Drapeau American), 1959,
Oil on canvas,
Acquired in 1961, JPMorgan Chase Art Collection.
Charlotte:
It was acquired in 1961 for a flagship Chase branch.
On screen:
An archival black and white photo shows the striking painting along the wall of a mid-twentieth century bank lobby.
Text on screen:
Chase Manhattan Bank branch,
410 Park Avenue,
1961.
On screen:
Close-up of Ms. Eyerman.
Text on screen:
Charlotte Eyerman, Director & Chief Curator at JPMorgan Chase.
Charlotte:
The art collection was founded by David Rockefeller. He had a vision that “Art at Work,” which is what he called the art collection and program, would elevate the experience of people that work at the bank, and also those who come and do business with us.
Side note:
Cheerful guitar chords play.
On screen:
A vintage photograph of David Rockefeller appears, with the accompanying quote: “I think of art as the highest level of creativity. To me, it is one of the greatest sources of enjoyment.”
-David Rockefeller.
Charlotte:
David Rockefeller believed that art would inspire people to think in a more creative way…
On screen:
A montage of archival images show David Rockefeller, with explanatory text accompanying them, including Rockefeller at his large desk, reviewing paintings, and looking at a constructivist abstract sculpture.
Text on screen:
David Rockefeller, 1960,
Chase Manhattan Art Committee, November 1966,
David Rockefeller & Dorothy Miller, MOMA Curator, November 1966.
Charlotte:
… to approach their work kind of energized by the vision of other people.
On screen:
A video clip shows a bearded man, with colorful fingernails cutting strips of fabric and smiling.
Text on screen:
Artist Basil Kincaid (American born, 1986),
Inaugural JPMorgan Chase residency, Art at Work Live,
April 2018.
Charlotte:
And artists have a way of opening our eyes and helping us see the world through a different lens.
Text on screen:
The extensive collection built up over 60 years is on view throughout our corporate spaces in 60 countries.
On screen:
An archival black and white photograph shows David Rockefeller sitting with other well-dressed executives.
Text on screen:
Chase Manhattan Bank Art Committee,
May 1964.
Charlotte:
There are lots of examples in the early 1960s of David Rockefeller and the art committee that he worked with identifying artists who were not known…
On screen:
A video clip shows three large framed black and white photographs of a woman wearing a large veiled hat, a woman fastening the small buttons of her garment, and a woman with long gloves and wearing a dress of thick-folded fabric.
Text on screen:
Dario Calmese (American, born 1981),
no. 35, 120, 97 and 64, Archival pigments print, 2012,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy of the artist and projects + gallery.
Charlotte:
…and they were African American artists, they were women artists, all different backgrounds and cultures working in a variety of media.
On screen:
A woman with short dark hair, Lucia Hierro, creates mixed-medium artwork, using fabric, photos, and advertisements on paper.
Text on screen:
Lucia Hierro (American, born 1987),
Dominican-American artist Lucia Hierro working in her studio.
Charlotte:
The art collection is a catalyst for connection. It connects our clients, our colleagues and our communities.
On screen:
A black and white photograph shows an art gallery within the large lobby of a bank with a high ceiling.
Text on screen:
Chase Manhattan Bank Soho Branch exhibition,
1985.
Charlotte:
So for six decades, this collection has been a point of contact and a real culture carrier in our company because it’s always focused on emerging artists. The idea that artists are at the pulse of what’s happening in our culture, in our country and all over the world.
On screen:
A black and white painting shows two gloved hands holding a person’s waste adorned with a flower. Then, a color painting of an icy mountain displays white smooth snow contrasting with deep black, jagged rocks.
Text on screen:
Rob Reynolds (American, born 1966),
Most Painted Mountain (Sperry Glacier), 2016,
Oil, alkyd and ink on canvas,
Acquired in 2018, JPMorgan Chase Art Collection,
@ Rob Reynolds.
Charlotte:
It reflects the global vision of our company and recognizes that artists are an important part of the creative economy.
On screen:
An archival black and white photo shows a room with tables filled with art objects, including sculptures, paintings, a model totem pole, vases, busts, and a model ship.
Text on screen:
Chase Manhattan Bank Art Program,
1 Chase Manhattan Plaza, Storage Room,
1961.
Charlotte:
Our company is very committed to diversity of all kinds to this day…
On screen:
A black and white photo shows a smiling woman wearing a hat with umbrella-like spokes extending out in a large circle.
Charlotte:
…and it’s a big commitment that we have. We walk the walk, and we talk the talk.
On screen:
Two glitter-covered footballs stand on display in a white room.
Text on screen:
Sheldon Scott (American, born 1976),
Exorcism of the Sweet (silver), 2018,
Exorcism of the Sweet (pink), 2018,
Glitter, leather, poly, glue,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Sheldon Scott.
Charlotte:
This is an artist, Neil Goldberg, who lives and works in New York, whose practice is really quite diverse. This is a recent acquisition. It’s called Other People’s Prescriptions…
On screen:
Eight color pictures show people wearing glasses. The pictures are photographed from behind the subjects, allowing a glimpse through their corrective lenses.
Text on screen:
Neil Goldberg (American, born 1963),
Other Peoples’ Prescriptions, 2018,
Suite of 8 inkjet prints on archival paper,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy the artist and Cristin Tierney Gallery, New York.
Charlotte:
…and it’s a way of kind of metaphorically and literally inviting you to see the world through someone else’s eyes. So the collection really has kind of every example of painting, sculpture, photography, increasingly digital and video art.
On screen:
A video clip shows a huge piece of artwork displayed in a corporate building. The piece is an abstract portrait of a person in a large head-wrap. The artwork is rendered with red fabric, interwoven with a wall-sized photograph.
Text on screen:
Kyle Meyer (American, born 1985),
Unidentified 135, 2018,
Archival pigment print hand woven with wax print fabric,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Kyle Meyer.
Charlotte:
So, it’s a very multidimensional collection, and it also reflects our focuses on modern and contemporary art.
On screen:
An abstract oil painting displays heavy, dark brush strokes combining to form a large central mass, surrounded by lighter brush strokes.
Text on screen:
Joan Mitchell (American, 1925–1992),
Slate, Oil on canvas, 1959,
Acquired in 1960, JPMorgan Chase Art Collection,
Copyright Estate of Joan Mitchell.
Charlotte:
This is a painting by Joan Mitchell, a woman artist made in 1959, acquired for the collection in 1960. She’s an artist who in recent decades has, after her death, gained a tremendous amount of notoriety and reputation.
On screen:
An archival photo shows David Rockefeller looking at a two-tone circular polygon sculpture.
Text on screen:
David Rockefeller with art,
November 1966.
Charlotte:
It’s a very different time now than it was in 1959, when David Rockefeller established the Art Collection, and my team and our predecessors have always held up that legacy.
On screen:
Ms. Eyerman and a young woman with black hair walk through a gallery featuring pieces from the JPMorgan Chase Art Collection.
Charlotte:
It truly inspires us every day.
Logo:
J.P.Morgan.
Side note:
Legal disclosures appear.
Text on screen:
This video/material has been prepared for informational purposes only, and it is not an offer or solicitation for any product or service. The individual views expressed are those of the speakers/authors and do not necessarily reflect the views of J.P. Morgan, or any of its affiliates or employees. Copyright 2019 JPMorgan Chase & Co. All rights reserved.
END
