Si está en su mente, está en la nuestra.
Cada persona tiene su propia definición del éxito. Y va más allá de las finanzas. Incluye sus pasiones. Sus inquietudes. Sus intereses. Esa es la razón por la que reunimos historias sobre los nuevos artistas emergentes más emocionantes de la actualidad. Libros que no podrá dejar de leer de nuestra lista de lectura recomendada. Si está en su mente, está en la nuestra. Y lo encontrará aquí.
#nextlist2023
Seleccionada para iluminar nuevas perspectivas de cara al futuro, nos enorgullece presentar nextlist 2023, una reveladora colección de libros, experiencias y oportunidades que exploran tesoros ocultos en nuestro mundo y el que vendrá.
Más información
Lista de lectura para el verano de 2023
Coming soon! A collection of books selected to spark curiosity, inspire new perspectives and unlock potential.
Conectamos a través del arte
Como a usted, nos apasiona el arte. De hecho, J.P. Morgan tiene un compromiso de larga duración con el arte. Fundada por David Rockefeller en 1959, la colección de la firma se centra en el arte moderno y contemporáneo con alcance internacional y está complementada con obras de arte en todos los géneros y soportes, desde tiempos inmemoriales hasta la actualidad. Nuestra colección ofrece gran cantidad de experiencia y conocimientos, que estamos encantados de compartir para que pueda fortalecer su propio conocimiento y su colección. Considere nuestro programa un recurso de mejores prácticas, redes de coleccionismo globales y locales y un diálogo abierto, para cualquiera que sea su nivel de interés en el arte y el coleccionismo.
La colección de arte de JPMorgan Chase
La colección de arte de JPMorgan Chase se ha convertido en una de las colecciones corporativas más consolidadas del mundo. El espíritu aventurero que despertó su visión original de "Art at work" resplandece hoy con nuestra colección, que presenta obras de artistas internacionales que están dando forma al futuro a través de su innovación y su visión creativa.
Charlotte:
Esta es una pintura de Sam Francis, quien fue un artista emergente. David Rockefeller le visitó en su estudio en 1959, por lo que se trata de una obra realmente fabulosa y una pieza fundamental de la colección. Fue adquirida en 1961 para una sucursal emblemática de Chase.
La colección de arte fue fundada por David Rockefeller. Tenía la visión de que "Art at work", que es como llamó a la colección y el programa de arte, elevaría la experiencia de las personas que trabajan en el banco y también de aquellos que vienen y hacen negocios con nosotros. David Rockefeller creía que el arte inspiraría a las personas a pensar de una manera más creativa para abordar su trabajo energizadas por la visión de otros hombres y mujeres. Además, los artistas tienen una forma de abrirnos los ojos y ayudarnos a ver el mundo desde una óptica diferente.
Hay muchos ejemplos de principios de la década de 1960 de la labor de David Rockefeller y el comité de arte identificando artistas que no eran conocidos y que eran afroamericanos, mujeres... de diferentes orígenes y culturas que trabajaban sobre diversidad de soportes. La colección de arte es un catalizador para la conexión. Conecta a nuestros clientes, nuestros compañeros y nuestras comunidades.
Por eso, durante seis décadas, esta colección ha sido un punto de contacto y un verdadero elemento portador de cultura en nuestra empresa porque siempre está enfocada en artistas emergentes. La idea que subyace es que los artistas están al tanto de lo que sucede en nuestra cultura, en nuestro país y en todo el mundo. Refleja la visión global de nuestra empresa y reconoce que los artistas son una parte importante de la economía creativa.
Nuestra empresa tiene un firme compromiso, de enorme importancia, con todo tipo de diversidad. Predicamos con el ejemplo. Este es un artista, Neil Goldberg, que vive y trabaja en Nueva York y cuya práctica es realmente diversa. Se trata de una adquisición reciente. Se llama "Other People’s Prescriptions" y es una forma de invitarnos metafórica y literalmente a ver el mundo a través de los ojos de otra persona. Así pues, la colección cuenta con ejemplos de todo tipo de pintura, escultura, fotografía y cada vez más arte digital y video. Es una colección multidimensional y también refleja nuestros enfoques hacia el arte moderno y contemporáneo.
Esta es una pintura de Joan Mitchell, una mujer artista nacida en 1959, adquirida para la colección en 1960. Es una artista que en las últimas décadas, después de su muerte, ha ganado una enorme notoriedad y reputación. La actualidad es muy diferente a 1959, cuando David Rockefeller inició la colección de arte, y mi equipo y nuestros predecesores siempre han asumido ese legado. Nos inspira todos los días.
FIN
Side note:
Soft synth music plays.
On screen:
A montage shows colorful abstract oil paintings and black and white photographs.
Text on screen:
The JPMorgan Chase Art Collection - Then and Now.
On screen:
A woman dressed in black, with light, shoulder-length hair and stylish tortoise shell glasses, Charlotte Eyerman, speaks to the viewer. She stands next to a vibrant, long, wall-sized painting.
Charlotte:
This is a painting by Sam Francis, who was an emerging artist. David Rockefeller visited him in his studio in 1959, so it’s a really fabulous work and a foundational artwork in the collection.
On screen:
The enormous piece of abstract expressionism artwork features broad, bold brushstrokes of brilliant yellow, white, blue, and red.
Text on screen:
Sam Francis (American, 1923–1994),
Chase Manhattan Bank Mural (Drapeau American), 1959,
Oil on canvas,
Acquired in 1961, JPMorgan Chase Art Collection.
Charlotte:
It was acquired in 1961 for a flagship Chase branch.
On screen:
An archival black and white photo shows the striking painting along the wall of a mid-twentieth century bank lobby.
Text on screen:
Chase Manhattan Bank branch,
410 Park Avenue,
1961.
On screen:
Close-up of Ms. Eyerman.
Text on screen:
Charlotte Eyerman, Director & Chief Curator at JPMorgan Chase.
Charlotte:
The art collection was founded by David Rockefeller. He had a vision that “Art at Work,” which is what he called the art collection and program, would elevate the experience of people that work at the bank, and also those who come and do business with us.
Side note:
Cheerful guitar chords play.
On screen:
A vintage photograph of David Rockefeller appears, with the accompanying quote: “I think of art as the highest level of creativity. To me, it is one of the greatest sources of enjoyment.”
-David Rockefeller.
Charlotte:
David Rockefeller believed that art would inspire people to think in a more creative way…
On screen:
A montage of archival images show David Rockefeller, with explanatory text accompanying them, including Rockefeller at his large desk, reviewing paintings, and looking at a constructivist abstract sculpture.
Text on screen:
David Rockefeller, 1960,
Chase Manhattan Art Committee, November 1966,
David Rockefeller & Dorothy Miller, MOMA Curator, November 1966.
Charlotte:
… to approach their work kind of energized by the vision of other people.
On screen:
A video clip shows a bearded man, with colorful fingernails cutting strips of fabric and smiling.
Text on screen:
Artist Basil Kincaid (American born, 1986),
Inaugural JPMorgan Chase residency, Art at Work Live,
April 2018.
Charlotte:
And artists have a way of opening our eyes and helping us see the world through a different lens.
Text on screen:
The extensive collection built up over 60 years is on view throughout our corporate spaces in 60 countries.
On screen:
An archival black and white photograph shows David Rockefeller sitting with other well-dressed executives.
Text on screen:
Chase Manhattan Bank Art Committee,
May 1964.
Charlotte:
There are lots of examples in the early 1960s of David Rockefeller and the art committee that he worked with identifying artists who were not known…
On screen:
A video clip shows three large framed black and white photographs of a woman wearing a large veiled hat, a woman fastening the small buttons of her garment, and a woman with long gloves and wearing a dress of thick-folded fabric.
Text on screen:
Dario Calmese (American, born 1981),
no. 35, 120, 97 and 64, Archival pigments print, 2012,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy of the artist and projects + gallery.
Charlotte:
…and they were African American artists, they were women artists, all different backgrounds and cultures working in a variety of media.
On screen:
A woman with short dark hair, Lucia Hierro, creates mixed-medium artwork, using fabric, photos, and advertisements on paper.
Text on screen:
Lucia Hierro (American, born 1987),
Dominican-American artist Lucia Hierro working in her studio.
Charlotte:
The art collection is a catalyst for connection. It connects our clients, our colleagues and our communities.
On screen:
A black and white photograph shows an art gallery within the large lobby of a bank with a high ceiling.
Text on screen:
Chase Manhattan Bank Soho Branch exhibition,
1985.
Charlotte:
So for six decades, this collection has been a point of contact and a real culture carrier in our company because it’s always focused on emerging artists. The idea that artists are at the pulse of what’s happening in our culture, in our country and all over the world.
On screen:
A black and white painting shows two gloved hands holding a person’s waste adorned with a flower. Then, a color painting of an icy mountain displays white smooth snow contrasting with deep black, jagged rocks.
Text on screen:
Rob Reynolds (American, born 1966),
Most Painted Mountain (Sperry Glacier), 2016,
Oil, alkyd and ink on canvas,
Acquired in 2018, JPMorgan Chase Art Collection,
@ Rob Reynolds.
Charlotte:
It reflects the global vision of our company and recognizes that artists are an important part of the creative economy.
On screen:
An archival black and white photo shows a room with tables filled with art objects, including sculptures, paintings, a model totem pole, vases, busts, and a model ship.
Text on screen:
Chase Manhattan Bank Art Program,
1 Chase Manhattan Plaza, Storage Room,
1961.
Charlotte:
Our company is very committed to diversity of all kinds to this day…
On screen:
A black and white photo shows a smiling woman wearing a hat with umbrella-like spokes extending out in a large circle.
Charlotte:
…and it’s a big commitment that we have. We walk the walk, and we talk the talk.
On screen:
Two glitter-covered footballs stand on display in a white room.
Text on screen:
Sheldon Scott (American, born 1976),
Exorcism of the Sweet (silver), 2018,
Exorcism of the Sweet (pink), 2018,
Glitter, leather, poly, glue,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Sheldon Scott.
Charlotte:
This is an artist, Neil Goldberg, who lives and works in New York, whose practice is really quite diverse. This is a recent acquisition. It’s called Other People’s Prescriptions…
On screen:
Eight color pictures show people wearing glasses. The pictures are photographed from behind the subjects, allowing a glimpse through their corrective lenses.
Text on screen:
Neil Goldberg (American, born 1963),
Other Peoples’ Prescriptions, 2018,
Suite of 8 inkjet prints on archival paper,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy the artist and Cristin Tierney Gallery, New York.
Charlotte:
…and it’s a way of kind of metaphorically and literally inviting you to see the world through someone else’s eyes. So the collection really has kind of every example of painting, sculpture, photography, increasingly digital and video art.
On screen:
A video clip shows a huge piece of artwork displayed in a corporate building. The piece is an abstract portrait of a person in a large head-wrap. The artwork is rendered with red fabric, interwoven with a wall-sized photograph.
Text on screen:
Kyle Meyer (American, born 1985),
Unidentified 135, 2018,
Archival pigment print hand woven with wax print fabric,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Kyle Meyer.
Charlotte:
So, it’s a very multidimensional collection, and it also reflects our focuses on modern and contemporary art.
On screen:
An abstract oil painting displays heavy, dark brush strokes combining to form a large central mass, surrounded by lighter brush strokes.
Text on screen:
Joan Mitchell (American, 1925–1992),
Slate, Oil on canvas, 1959,
Acquired in 1960, JPMorgan Chase Art Collection,
Copyright Estate of Joan Mitchell.
Charlotte:
This is a painting by Joan Mitchell, a woman artist made in 1959, acquired for the collection in 1960. She’s an artist who in recent decades has, after her death, gained a tremendous amount of notoriety and reputation.
On screen:
An archival photo shows David Rockefeller looking at a two-tone circular polygon sculpture.
Text on screen:
David Rockefeller with art,
November 1966.
Charlotte:
It’s a very different time now than it was in 1959, when David Rockefeller established the Art Collection, and my team and our predecessors have always held up that legacy.
On screen:
Ms. Eyerman and a young woman with black hair walk through a gallery featuring pieces from the JPMorgan Chase Art Collection.
Charlotte:
It truly inspires us every day.
Logo:
J.P.Morgan.
Side note:
Legal disclosures appear.
Text on screen:
This video/material has been prepared for informational purposes only, and it is not an offer or solicitation for any product or service. The individual views expressed are those of the speakers/authors and do not necessarily reflect the views of J.P. Morgan, or any of its affiliates or employees. Copyright 2019 JPMorgan Chase & Co. All rights reserved.
END
