思您所思，想您所想
每個人對成功都有自己的詮釋。成功遠不止於財富。成功的內核包含着您的愛好、您關切的話題、您的興趣所在。正因如此，我們着意收集許多嶄露頭角的新興藝術家的故事。我們的書單中有令人愛不釋手的書籍。思您所思，想您所想，敬請探索我們為您精心準備的精彩主題。
Nextlist2025
摩根大通呈獻年度精選——「未來趨勢」：這是一系列受不斷演變的意念和視角啟發的推薦書籍和體驗。今年是推出NextList年度精選榜單的第三年，加入了「創新聚焦」的環節，重點介紹了走在科技和文化前沿的企業。
了解更多藝術連接世界
與您一樣，我們對藝術充滿熱情。事實上，摩根大通的收藏歷史源遠流長，長期以來致力於推動藝術發展。摩根大通的藝術品收藏可追溯至1959年，由戴維·洛克菲勒(David Rockefeller)創辦，收藏專注於國際範圍內的現代和當代藝術，還有從古至今不同流派和表達媒介的藝術品。我們樂於分享我們由自身收藏中汲取的寶貴經驗和洞見，以幫助您豐富您的收藏知識與藏品。無論您對藝術和收藏涉獵深淺與否，都可以藉助我們的項目作為最佳實踐、全球和本地收藏網絡以及進行公開對話的資源。
摩根大通藝術品收藏
摩根大通藝術品收藏已成為世界上最具規模的企業收藏之一。眾多藏品展示了國際藝術家們關於未來的創意理念和願景，而激發「將藝術融入工作」(Art at Work)這一最初願景的先驅者精神，如今仍與這些藏品一樣熠熠生輝。
夏洛特:
這是新興藝術家Sam Francis的一幅繪畫作品，戴維·洛克菲勒於1959年拜訪了他的工作室。這是一件非常棒的作品，也是收藏中的奠基之寶。該作品於1961年被大通銀行的旗艦分行收購。
該藝術品收藏項目由戴維·洛克菲勒發起。他的願景是「將藝術融入工作」，這也是他對藝術收藏和項目所賦予的意義，這將提升銀行工作人員和客戶的體驗。戴維·洛克菲勒認為，藝術品會激發人們的創意，以一種被其他人的願景所激發的方式對待他們的工作。藝術家具有開啟我們眼界的魔力，幫助我們從不同的視角看待周遭的世界。
在20世紀60年代初，戴維·洛克菲勒和攜手參與合作的藝術委員會共同發掘多位當時寂寂無名的藝術家，其中包括非裔美國藝術家、女性藝術家，來自於不同的背景、文化和藝術表達媒介。藝術品收藏是推進人們建立聯繫的催化劑，讓我們與客戶、同事和社區緊密相連。
因此，六十年來，此收藏項目一直是我們聯繫外界的橋樑和真正的文化載體，因其始終秉持最初的理念，關注新興藝術家。我們認為藝術家是我們的文化、我們的國家和全世界變革的脈搏。這個理念反映了我們公司的全球願景，並且強調藝術家是創意經濟的重要組成部分。
摩根大通始終致力於各種層面的多元化，這是我們的一個重要承諾。我們言行一致，表裡如一。這位名叫Neil Goldberg的藝術家，在紐約工作和生活，他的藝術行為非常多元化。這是最近獲得的一件藝術品。這件作品的名字是「他人的觀察」(Other People’s Prescription)，既是一種隱喻，也像名字一樣，邀請觀賞者通過他人的眼睛看世界。這些收藏包羅萬象，涉及繪畫、雕塑、攝影，還有越來越多的數碼和視訊藝術。所以，這是非常多元化的藏品，也反映了我們對現代和當代藝術的關注。
這幅畫是女性藝術家Joan Mitchell於1959年所作，在1960年加入我們的藝術收藏。在她去世後的近幾十年，她收穫了很多讚譽，也招致很多詆毀。與1959年戴維·洛克菲勒創辦藝術品收藏項目時相比，時代已經發生了改變，而我的團隊和我們的前輩一直守護着這份傳承，並且每天都激勵着我們。
結束
Side note:
Soft synth music plays.
On screen:
A montage shows colorful abstract oil paintings and black and white photographs.
Text on screen:
The JPMorgan Chase Art Collection - Then and Now.
On screen:
A woman dressed in black, with light, shoulder-length hair and stylish tortoise shell glasses, Charlotte Eyerman, speaks to the viewer. She stands next to a vibrant, long, wall-sized painting.
Charlotte:
This is a painting by Sam Francis, who was an emerging artist. David Rockefeller visited him in his studio in 1959, so it’s a really fabulous work and a foundational artwork in the collection.
On screen:
The enormous piece of abstract expressionism artwork features broad, bold brushstrokes of brilliant yellow, white, blue, and red.
Text on screen:
Sam Francis (American, 1923–1994),
Chase Manhattan Bank Mural (Drapeau American), 1959,
Oil on canvas,
Acquired in 1961, JPMorgan Chase Art Collection.
Charlotte:
It was acquired in 1961 for a flagship Chase branch.
On screen:
An archival black and white photo shows the striking painting along the wall of a mid-twentieth century bank lobby.
Text on screen:
Chase Manhattan Bank branch,
410 Park Avenue,
1961.
On screen:
Close-up of Ms. Eyerman.
Text on screen:
Charlotte Eyerman, Director & Chief Curator at JPMorgan Chase.
Charlotte:
The art collection was founded by David Rockefeller. He had a vision that “Art at Work,” which is what he called the art collection and program, would elevate the experience of people that work at the bank, and also those who come and do business with us.
Side note:
Cheerful guitar chords play.
On screen:
A vintage photograph of David Rockefeller appears, with the accompanying quote: “I think of art as the highest level of creativity. To me, it is one of the greatest sources of enjoyment.”
-David Rockefeller.
Charlotte:
David Rockefeller believed that art would inspire people to think in a more creative way…
On screen:
A montage of archival images show David Rockefeller, with explanatory text accompanying them, including Rockefeller at his large desk, reviewing paintings, and looking at a constructivist abstract sculpture.
Text on screen:
David Rockefeller, 1960,
Chase Manhattan Art Committee, November 1966,
David Rockefeller & Dorothy Miller, MOMA Curator, November 1966.
Charlotte:
… to approach their work kind of energized by the vision of other people.
On screen:
A video clip shows a bearded man, with colorful fingernails cutting strips of fabric and smiling.
Text on screen:
Artist Basil Kincaid (American born, 1986),
Inaugural JPMorgan Chase residency, Art at Work Live,
April 2018.
Charlotte:
And artists have a way of opening our eyes and helping us see the world through a different lens.
Text on screen:
The extensive collection built up over 60 years is on view throughout our corporate spaces in 60 countries.
On screen:
An archival black and white photograph shows David Rockefeller sitting with other well-dressed executives.
Text on screen:
Chase Manhattan Bank Art Committee,
May 1964.
Charlotte:
There are lots of examples in the early 1960s of David Rockefeller and the art committee that he worked with identifying artists who were not known…
On screen:
A video clip shows three large framed black and white photographs of a woman wearing a large veiled hat, a woman fastening the small buttons of her garment, and a woman with long gloves and wearing a dress of thick-folded fabric.
Text on screen:
Dario Calmese (American, born 1981),
no. 35, 120, 97 and 64, Archival pigments print, 2012,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy of the artist and projects + gallery.
Charlotte:
…and they were African American artists, they were women artists, all different backgrounds and cultures working in a variety of media.
On screen:
A woman with short dark hair, Lucia Hierro, creates mixed-medium artwork, using fabric, photos, and advertisements on paper.
Text on screen:
Lucia Hierro (American, born 1987),
Dominican-American artist Lucia Hierro working in her studio.
Charlotte:
The art collection is a catalyst for connection. It connects our clients, our colleagues and our communities.
On screen:
A black and white photograph shows an art gallery within the large lobby of a bank with a high ceiling.
Text on screen:
Chase Manhattan Bank Soho Branch exhibition,
1985.
Charlotte:
So for six decades, this collection has been a point of contact and a real culture carrier in our company because it’s always focused on emerging artists. The idea that artists are at the pulse of what’s happening in our culture, in our country and all over the world.
On screen:
A black and white painting shows two gloved hands holding a person’s waste adorned with a flower. Then, a color painting of an icy mountain displays white smooth snow contrasting with deep black, jagged rocks.
Text on screen:
Rob Reynolds (American, born 1966),
Most Painted Mountain (Sperry Glacier), 2016,
Oil, alkyd and ink on canvas,
Acquired in 2018, JPMorgan Chase Art Collection,
@ Rob Reynolds.
Charlotte:
It reflects the global vision of our company and recognizes that artists are an important part of the creative economy.
On screen:
An archival black and white photo shows a room with tables filled with art objects, including sculptures, paintings, a model totem pole, vases, busts, and a model ship.
Text on screen:
Chase Manhattan Bank Art Program,
1 Chase Manhattan Plaza, Storage Room,
1961.
Charlotte:
Our company is very committed to diversity of all kinds to this day…
On screen:
A black and white photo shows a smiling woman wearing a hat with umbrella-like spokes extending out in a large circle.
Charlotte:
…and it’s a big commitment that we have. We walk the walk, and we talk the talk.
On screen:
Two glitter-covered footballs stand on display in a white room.
Text on screen:
Sheldon Scott (American, born 1976),
Exorcism of the Sweet (silver), 2018,
Exorcism of the Sweet (pink), 2018,
Glitter, leather, poly, glue,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Sheldon Scott.
Charlotte:
This is an artist, Neil Goldberg, who lives and works in New York, whose practice is really quite diverse. This is a recent acquisition. It’s called Other People’s Prescriptions…
On screen:
Eight color pictures show people wearing glasses. The pictures are photographed from behind the subjects, allowing a glimpse through their corrective lenses.
Text on screen:
Neil Goldberg (American, born 1963),
Other Peoples’ Prescriptions, 2018,
Suite of 8 inkjet prints on archival paper,
Acquired in 2018, JPMorgan Chase Art Collection,
Courtesy the artist and Cristin Tierney Gallery, New York.
Charlotte:
…and it’s a way of kind of metaphorically and literally inviting you to see the world through someone else’s eyes. So the collection really has kind of every example of painting, sculpture, photography, increasingly digital and video art.
On screen:
A video clip shows a huge piece of artwork displayed in a corporate building. The piece is an abstract portrait of a person in a large head-wrap. The artwork is rendered with red fabric, interwoven with a wall-sized photograph.
Text on screen:
Kyle Meyer (American, born 1985),
Unidentified 135, 2018,
Archival pigment print hand woven with wax print fabric,
Acquired in 2018, JPMorgan Chase Art Collection,
Copyright Kyle Meyer.
Charlotte:
So, it’s a very multidimensional collection, and it also reflects our focuses on modern and contemporary art.
On screen:
An abstract oil painting displays heavy, dark brush strokes combining to form a large central mass, surrounded by lighter brush strokes.
Text on screen:
Joan Mitchell (American, 1925–1992),
Slate, Oil on canvas, 1959,
Acquired in 1960, JPMorgan Chase Art Collection,
Copyright Estate of Joan Mitchell.
Charlotte:
This is a painting by Joan Mitchell, a woman artist made in 1959, acquired for the collection in 1960. She’s an artist who in recent decades has, after her death, gained a tremendous amount of notoriety and reputation.
On screen:
An archival photo shows David Rockefeller looking at a two-tone circular polygon sculpture.
Text on screen:
David Rockefeller with art,
November 1966.
Charlotte:
It’s a very different time now than it was in 1959, when David Rockefeller established the Art Collection, and my team and our predecessors have always held up that legacy.
On screen:
Ms. Eyerman and a young woman with black hair walk through a gallery featuring pieces from the JPMorgan Chase Art Collection.
Charlotte:
It truly inspires us every day.
Logo:
J.P.Morgan.
Side note:
Legal disclosures appear.
Text on screen:
This video/material has been prepared for informational purposes only, and it is not an offer or solicitation for any product or service. The individual views expressed are those of the speakers/authors and do not necessarily reflect the views of J.P. Morgan, or any of its affiliates or employees. Copyright 2019 JPMorgan Chase & Co. All rights reserved.
END
